Tag: Memoir Writing

  • not a fit

    The mushrooms are separated by plastic. The white button mushrooms sit sealed and identical, pale under taut film, each one interchangeable with the next. They look like what grocery stores like to sell: clean, standardized, anonymous. I lift the package, feel how light it is, how little resistance there is to it, and put it back. My dog lets out a small “woo” and nudges the foam package with her nose, sending it sliding into the identical containers behind it. I say, “you’re right, you’re right,” agreeing with the dog, who has no knowledge of mushrooms and only cares about scraps later.

    The local mushrooms are loose. Crimini. Soft in the hand. Springy. They don’t match each other. Some are wider, some darker, some still holding a trace of soil in the creases. I scoop them into a bag and think about not slicing them at all. I imagine them whole, leaning against a pile of potatoes, browned slowly, gravy thickening around them. Mushroom gravy. Lentil loaf. I’ve claimed vegetarianism again—part conviction, part refusal—after what I saw in Nebraska. After Tyson. After the way animals and people are handled until they resemble units more than lives.

    Farmers come to mind. Hands that still touch what they grow. And then the hands that don’t. Production, not the store. The place where animals stop being animals long before they stop moving. The line. The speed. The work divided so finely that no one carries the whole thing. One cut. One lift. One motion repeated until the body performs it without asking.

    Patterns emerge both back at the Tyson plant in Nebraska and here in Laramie at the food co-op.

    In both places, the jobs closest to the animals belong to people who arrived recently. People who speak quietly or not at all. People who know better than to slow the line. Their presence is tolerated because it is temporary, because it is replaceable, because it holds the system together just long enough to keep moving. Sociologists call this flexibility. Towns call it opportunity. The people inside it learn a different word.

    Above them, supervision. Clipboards. Fluency. Authority that never touches blood. People who can stop the line but rarely do. Hands clean enough to eat afterward without thinking.

    Above that, offices. Light. Meetings. Decisions made far from the floor but justified by it. Yield. Risk mitigation. Language designed to smooth what it never has to witness.

    And then the town, the town I live in now. Laramie.

    A town arranged around the certainty that this is how things work. That this is what employment looks like. That this is what keeps doors open and checks clearing. A town that learns quickly which questions stall the line and which ones are better left unasked.

    Researchers describe places like this as high in bonding and low in bridging. Strong internal ties. Weak tolerance for difference. Deep familiarity paired with shallow permeability. It shows up less in what people say than in how quickly they close ranks.

    Fatigue settles unevenly. In some bodies it looks expected, even respectable. It grants space. It sharpens authority instead of dulling it. Irritability passes without comment. Repetition reads as history. Resistance reads as experience. And my body becomes a symbol of resistance.

    I know I should dress better, use make-up but I’ve become so wary of the way eyes drift over my 6’2″ frame and my power comes from whatever sexualized version of myself that has started to plant in the minds of men who see me as new. I had their numbers the last time I was here.

    In other bodies the same slowing draws scrutiny. It asks for explanation. It suggests instability. The identical posture, the identical tiredness, lands differently depending on who carries it. If it were a man dressed in a suit or if it was a whole black lab instead of my crippled husky and my underdressed self, maybe we would have authority.

    By the time food reaches the store, the sorting is finished. By the time I reach the store, my value has been predetermined.

    Who touched it. Who touched me.

    Who watched.  Who ignored me.

    Who decided.  Who ghosted.

    Who benefited.  Who’s marginalized.

    Who was never meant to be visible. And I can’t seem to make myself small enough.

    The white button mushrooms make sense in this order. Uniform. Wrapped. Nothing about them asks where they came from or who handled them or what it cost to make them so clean. They move quickly. They don’t interrupt anything.

    The local mushrooms don’t move that way. Someone had to know the land. Someone had to risk irregularity. Someone had to accept loss. They require a different pace, a different tolerance.

    The bag fills. I tie it.

    That’s when I hear it.

    You can’t have your dog in here.

    I say what I always say.

    She is a service animal.

    There’s a pause. A look. The kind that finishes its assessment before you’ve noticed it start. The up-and-down scan. The question that doesn’t need words.

    The person speaking isn’t a stranger. I know them. First and last name. History. Familiarity. I had assumed alignment. This was the farm-to-table store I’d chosen deliberately, drawn by its language, its friendliness, the suggestion that community extended beyond signage.

    Only then does it occur to me that the evaluation likely began when I walked in.

    The mushrooms feel heavier.

    I leave them on the counter.

    After that, I start noticing how many places ask me to explain myself.

    Not directly. With posture. With pauses that last just long enough to register. With questions asked twice, then again, each repetition tightening the room a little more. This is how gatekeeping works now—not through refusal, but through delay.

    Someone speaking louder than necessary. Someone gesturing instead of answering. Someone addressing the dog before addressing me. Someone stepping back as if proximity itself requires permission.

    None of it becomes an argument. It accumulates instead. A running tally of how much room I’m allowed to take before I begin to cost other people something.

    I start timing my movements. How long I linger. How slowly I bend. Whether the dog’s body crosses an invisible line that makes someone else uncomfortable. Urban planners would call this friction. Therapists call it hypervigilance. The body just calls it learning.

    The thrift store follows the same pattern. Same posture. Same disbelief. I had been there the day before sorting out a membership issue—three hundred dollars, lifetime, already paid—only to be asked again if I was sure I was who I said I was. Name. Phone number. A record in their system for over a decade because I’ve never changed it.

    Are you sure this is you?

    Being known and being recognized turn out to be different things.

    I’ve lived here before. For years. Long enough to learn the wind, how it scrapes the face in winter, how it carries sound across distances that look empty but aren’t. Long enough to know how the town contracts when days shorten, how social life thins, how people retreat without saying so. Long enough to understand that winter’s hardest part isn’t the cold, but the slowing that never quite softens.

    I left.

    Not dramatically. Not with a declaration. Just the accumulation of knowing I’d reached the edge of what this place could offer me then. I left to get trained. To learn. To acquire language and tools and ways of being useful to people whose pain I could finally name.

    Elsewhere, the training mattered.

    Institutions adjusted. Conversations stretched. Experience accumulated forward. Sociologists describe this as circulation—knowledge moving through systems and changing them slightly each time it passes.

    When I came back, that movement stalled.

    Questions landed cautiously. Suggestions drifted without anchoring. Conversations circled familiar ground. Skill was reinterpreted as temperament. Experience earned elsewhere arrived already suspect. Credentialing didn’t elevate me here; it unsettled the hierarchy.

    Duration carried more weight than range. Familiarity outweighed competence. Staying—even unhappily—counted more than leaving to learn and returning changed.

    Nothing dramatic marked the shift. Invitations thinned. Silence grew denser.

    Paths were worn deeply enough that deviation showed immediately. Adjustment slowed things down. Care complicated the flow. Closed systems protect themselves by exhausting those who try to widen them.

    I walk with a dog who moves slowly. She lies down and waits. She does not bark. She does not approach anyone. She does not demand attention. Need becomes visible simply by her being there.

    That visibility changes how everything else is read.

    Independence is prized here. Self-containment. The ability to move through space without asking it to change. Anything that interrupts that story draws attention, not because it is loud, but because it refuses to disappear.

    I begin keeping a list.

    What moves easily:

    familiarity 

    endurance 

    uninterrupted presence 

    contained emotion 

    bodies that do not require pause 

    What does not:

    experience earned elsewhere 

    returning altered 

    care work 

    untranslated critique 

    visible limitation 

    Nothing about this sorting is announced. It happens politely. Procedurally. Through tone, repetition, and disbelief delivered calmly.

    The same logic repeats outside the store.

    Housing works this way. Availability is discussed as if it’s fluid, but rooms don’t move much. Leases circulate among the same hands. Exceptions appear briefly and then withdraw.

    Professional space follows suit. Offices change names but not rhythms. Programs rebrand. Language updates. The rooms stay calibrated to the same pace, the same assumptions about who needs what and how much time they’re allowed to take asking for it.

    Care is welcomed in theory. In practice it’s met with impatience. The work that moves fastest is the work that doesn’t linger. Anything slower begins to feel like obstruction.

    Training sharpens the contrast. The more language I carry, the clearer it becomes which rooms were never built to hold it. Which conversations stall the moment something unfamiliar enters.

    What looks like openness functions more like display. Yard signs. Mission statements. Posters about inclusion taped to walls that haven’t changed in decades.

    The welcome stops at the threshold.

    I stop trying to explain myself into these spaces.

    Explanation only widens the gap.

    The jokes about not moving here circulate easily. Protective humor. A way of guarding value where margins are thin. Things cost a lot. More than they should. The access people cite doesn’t justify it. Still, the insistence on specialness persists.

    For someone without inherited belonging, who learned early that place would have to carry more weight, there isn’t much here to hold on to.

    That doesn’t make the place bad.

    It makes it exact.

    I think again about the mushrooms left on the counter. The sealed ones, perfect and untouched. The irregular ones, alive and unfinished, set aside once the assessment was complete.

    Later I cook something simpler. Or I don’t cook at all. Hunger gives way to clarity.

    Understanding what a place cannot offer steadies something.

    The question changes.

    What kind of movement is allowed here?

    Once that becomes clear, leaving stops feeling like failure.

    It reads instead like fluency.

  • keeping the craft, sharpening the truth

    I have been writing with AI.
    So if one of my stories misrepresented a character or botched a minor detail, you can blame it on Claude.
    But the rest—the marrow of it, the sediment of my memories—that’s mine. This is the only place where I can say the things no one in my life has ever wanted to hear. If something here twinges your soul, you can click away as easily as I can admit I let a machine help me shape a sentence.

    Yesterday I tried to write about the true cost of being poor, which is really just the cost of being alive without a margin. My car wouldn’t start Friday morning; my dog began obsessively licking her paw on Saturday. Two small domestic events, but in the economy of scarcity they behave like implosions. A car that won’t turn over becomes a crisis of transit, work, food. A dog limping becomes a crisis of care, guilt, the moral arithmetic of money.

    And so I wrote a letter to my sister’s attorney—begging, in the most technical, polite legal language I could muster—for money from my inheritance.

    She will say no. She always says no.
    I will document it.
    The bad faith accumulates like sediment, and eventually I’ll take it to court.

    I grew up thinking the point of a trust was to keep families out of probate, but somehow my sister has weaponized it into the very thing it was designed to prevent. A structure meant to preserve wealth has become a structure that destroys relationship. It has calcified my inability to trust women—something I already struggled with after a lifetime of maternal rejection—and I’ve blown up relationships for utterances as tiny as a sentence that implied disbelief. My mother was the blueprint. The OG hater. She could’ve written a doctoral dissertation on despising me.

    She kept journals next to her chair in the living room—the chair with black ashy divots burned into the corduroy where she dropped lit cigarettes while nodding off. The stuffing underneath had crisped into little scorched folds that snagged at your clothes if you made the mistake of sitting in the throne. She kept her devotionals there: half prayers to God, half curses about her first daughter. Me.

    I would find the journals sometimes. I didn’t read them in full—the writing wasn’t coherent enough to reward curiosity—but the refrains lodged in me.
    “I am powerless, God has so much power,” followed immediately by, “I hate Dave and Jennifer so much.”
    That was the gist. Every page a looping thesis about how my father and I were demons in her life, conspirators keeping her from happiness. I was a child. My brain hadn’t finished knitting itself together. But in her cosmology, I was already an adversary.

    My sister likes to say she sees ghosts. That my father and I carry the same dark ones. It’s a literary way of saying she’s scared of our anger without acknowledging that Mom manufactured the conditions for that anger and then blamed us for inheriting it. Our “demons” were drywall holes and patched-over doors—an overworked father teaching an insolent daughter how to repair the consequences of emotional weather systems created upstairs, where my mother washed down pain pills with Diet Coke and scripture.

    My aunt is angry with me—she texted as much—but I don’t think she understands that the symbols in her life overlap with the ones that detonated mine. I cannot walk into another house humming with denial and letters written about me, metaphorical or otherwise. My uncle is deep into his withdrawal spiral; his body has curled around the narcotic like a question mark he refuses to answer. He’ll insist he “doesn’t get high,” which is a quaint moral stance—one of those phrases people cling to when the truth is too bright.

    But you cannot shit a shitter.
    Morphine rewired my entire life, even by proxy.
    I don’t need another man writing an unloved version of me into his margins.

    When I was young, I moved out because my father beat the shit out of me. I don’t need to retell the night; that scene has been excavated in other essays. What matters here is this: I never saw my siblings treated like that. And I think often about the moment I realized I had to leave. What would you do if you knew there were twenty notebooks in the next room filled with hatred written by the woman who was supposed to love you without condition?

    My mother was a wretched person to me, and I feel oceans of guilt saying it.
    I spent a decade in therapy making peace with her ghost.
    I told my sister to stop talking badly about her.
    I thought I was done with the whole mythology.

    But now my sister stands across from me, calling my anger a demon, flattening me into the devil. And all I can think of is that childhood song I used to sing to her:

    Shut the door, keep out the devil.
    Shut the door, keep the devil in the night.

    Somehow I’m the one in the cold now, shut out, pacing the border of someone else’s narrative.

    I might use AI to smooth a paragraph or sharpen a metaphor, but no one else has my story. I would never consign another human to live this particular script. I didn’t stand a chance in my mother’s life because I was too much like my father, and while I can guess at the violence he may have perpetrated, I also know this: naming the truth is not abuse.

    I couldn’t live down my relationship with Morphine Mommy; I doubt I’ll outlive Fent-Bent Uncle either.

    If you made it this far, you can try to decipher what’s me and what’s machine, but understand the essential thing:
    none of this is fiction.
    The metaphors are real. The ghosts are real. The harm is real.
    The story—God help us all—is real.