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where the interior life meets the open range

the misfit west explores the vast psychological and emotional terrain of the American West — the wind-scoured places, the unspoken histories, the inheritances we carry even when we think we’ve outrun them.

These are personal essays for anyone who has ever felt out of place, out of step, or out of answers — and yet keeps walking toward a version of themselves that feels truer than the myth.

About the Publication

Out here, the landscape works on you.
It rearranges what you think you know about loneliness, lineage, addiction, survival, love, and whatever we mean when we say “home.”

In these essays, I investigate the quiet dramas that unfold beneath the surface — grief that breaks open years later, family patterns that echo across generations, the strange physics of staying alive, and the ways a person tries to build a life with both hands full of questions.

This is not the West of postcards or cowboy clichés.
It’s the one made of windburn, memory, estrangement, reclamation, and unexpected beauty — a place where an interior life can finally stretch its legs.

What You’ll Find Here

  • Lyrical, place-driven personal essays rooted in Wyoming, Colorado, and the high plains
  • Psychological explorations of family systems, trauma, resilience, and the unquiet mind
  • Memoir fragments stitched with research, memory, and sharp self-interrogation
  • A voice for those who don’t fit the mythic West — or any myth at all

Why the misfit west

Because some of us were raised in the shadows of silos, railroads, coal pits, and quiet living room catastrophes — and still found ways to become ourselves.
Because belonging is complicated.
Because the West is too.

And because writing it down is sometimes the only way to tell the truth.

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LATEST POSTS


  • extinction events

    There are places that never recover from the moment they become a symbol. They keep functioning—streets plowed, classes taught, houses sold—but something essential slips out of alignment, like a joint that never quite sets. You learn to compensate. You call it resilience. You don’t talk about what hurts when the weather changes. That’s how Laramie…

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  • crumbs

    The room was in the basement of the education building, too small for the number of desks they had forced into it. Fluorescent lights buzzed overhead. No windows. The kind of room that held heat even in winter, where the air never quite moved. Some of the desks were bolted to the floor, their plastic…

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  • hair on the wire

    The pronghorn were already gathering along the fence line when the wind shifted—tight, jerking movements like something had startled them miles before I ever arrived. Wyoming wind always brings news too early; it ruins surprises. It carries the scent of death the way a river carries silt: efficiently, without apology. I pulled over on the…

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  • chlorine tongue

    Some essays, some days, end up a choppy mess. My writing is on training wheels as I pull up ChatGPT on my phone and feed it memory after memory noticing the air starting to smell of bleach when the tears come. I use my thumbs to slide type memory after memory trying to Frankenstein the…

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  • sweet and bruised

    The Lariat always smelled like three things: fryer oil that refused to cool, bourbon poured by a hand that didn’t care where it landed, and the soft, bruised perfume of women who’d learned to keep their backs to the wall. The carpet—if it was still carpet—held the residue of every decade it had survived. Walk…

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  • keeping the craft, sharpening the truth

    I have been writing with AI.So if one of my stories misrepresented a character or botched a minor detail, you can blame it on Claude.But the rest—the marrow of it, the sediment of my memories—that’s mine. This is the only place where I can say the things no one in my life has ever wanted…

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