Tag: personal essay

  • not a fit

    The mushrooms are separated by plastic. The white button mushrooms sit sealed and identical, pale under taut film, each one interchangeable with the next. They look like what grocery stores like to sell: clean, standardized, anonymous. I lift the package, feel how light it is, how little resistance there is to it, and put it back. My dog lets out a small “woo” and nudges the foam package with her nose, sending it sliding into the identical containers behind it. I say, “you’re right, you’re right,” agreeing with the dog, who has no knowledge of mushrooms and only cares about scraps later.

    The local mushrooms are loose. Crimini. Soft in the hand. Springy. They don’t match each other. Some are wider, some darker, some still holding a trace of soil in the creases. I scoop them into a bag and think about not slicing them at all. I imagine them whole, leaning against a pile of potatoes, browned slowly, gravy thickening around them. Mushroom gravy. Lentil loaf. I’ve claimed vegetarianism again—part conviction, part refusal—after what I saw in Nebraska. After Tyson. After the way animals and people are handled until they resemble units more than lives.

    Farmers come to mind. Hands that still touch what they grow. And then the hands that don’t. Production, not the store. The place where animals stop being animals long before they stop moving. The line. The speed. The work divided so finely that no one carries the whole thing. One cut. One lift. One motion repeated until the body performs it without asking.

    Patterns emerge both back at the Tyson plant in Nebraska and here in Laramie at the food co-op.

    In both places, the jobs closest to the animals belong to people who arrived recently. People who speak quietly or not at all. People who know better than to slow the line. Their presence is tolerated because it is temporary, because it is replaceable, because it holds the system together just long enough to keep moving. Sociologists call this flexibility. Towns call it opportunity. The people inside it learn a different word.

    Above them, supervision. Clipboards. Fluency. Authority that never touches blood. People who can stop the line but rarely do. Hands clean enough to eat afterward without thinking.

    Above that, offices. Light. Meetings. Decisions made far from the floor but justified by it. Yield. Risk mitigation. Language designed to smooth what it never has to witness.

    And then the town, the town I live in now. Laramie.

    A town arranged around the certainty that this is how things work. That this is what employment looks like. That this is what keeps doors open and checks clearing. A town that learns quickly which questions stall the line and which ones are better left unasked.

    Researchers describe places like this as high in bonding and low in bridging. Strong internal ties. Weak tolerance for difference. Deep familiarity paired with shallow permeability. It shows up less in what people say than in how quickly they close ranks.

    Fatigue settles unevenly. In some bodies it looks expected, even respectable. It grants space. It sharpens authority instead of dulling it. Irritability passes without comment. Repetition reads as history. Resistance reads as experience. And my body becomes a symbol of resistance.

    I know I should dress better, use make-up but I’ve become so wary of the way eyes drift over my 6’2″ frame and my power comes from whatever sexualized version of myself that has started to plant in the minds of men who see me as new. I had their numbers the last time I was here.

    In other bodies the same slowing draws scrutiny. It asks for explanation. It suggests instability. The identical posture, the identical tiredness, lands differently depending on who carries it. If it were a man dressed in a suit or if it was a whole black lab instead of my crippled husky and my underdressed self, maybe we would have authority.

    By the time food reaches the store, the sorting is finished. By the time I reach the store, my value has been predetermined.

    Who touched it. Who touched me.

    Who watched.  Who ignored me.

    Who decided.  Who ghosted.

    Who benefited.  Who’s marginalized.

    Who was never meant to be visible. And I can’t seem to make myself small enough.

    The white button mushrooms make sense in this order. Uniform. Wrapped. Nothing about them asks where they came from or who handled them or what it cost to make them so clean. They move quickly. They don’t interrupt anything.

    The local mushrooms don’t move that way. Someone had to know the land. Someone had to risk irregularity. Someone had to accept loss. They require a different pace, a different tolerance.

    The bag fills. I tie it.

    That’s when I hear it.

    You can’t have your dog in here.

    I say what I always say.

    She is a service animal.

    There’s a pause. A look. The kind that finishes its assessment before you’ve noticed it start. The up-and-down scan. The question that doesn’t need words.

    The person speaking isn’t a stranger. I know them. First and last name. History. Familiarity. I had assumed alignment. This was the farm-to-table store I’d chosen deliberately, drawn by its language, its friendliness, the suggestion that community extended beyond signage.

    Only then does it occur to me that the evaluation likely began when I walked in.

    The mushrooms feel heavier.

    I leave them on the counter.

    After that, I start noticing how many places ask me to explain myself.

    Not directly. With posture. With pauses that last just long enough to register. With questions asked twice, then again, each repetition tightening the room a little more. This is how gatekeeping works now—not through refusal, but through delay.

    Someone speaking louder than necessary. Someone gesturing instead of answering. Someone addressing the dog before addressing me. Someone stepping back as if proximity itself requires permission.

    None of it becomes an argument. It accumulates instead. A running tally of how much room I’m allowed to take before I begin to cost other people something.

    I start timing my movements. How long I linger. How slowly I bend. Whether the dog’s body crosses an invisible line that makes someone else uncomfortable. Urban planners would call this friction. Therapists call it hypervigilance. The body just calls it learning.

    The thrift store follows the same pattern. Same posture. Same disbelief. I had been there the day before sorting out a membership issue—three hundred dollars, lifetime, already paid—only to be asked again if I was sure I was who I said I was. Name. Phone number. A record in their system for over a decade because I’ve never changed it.

    Are you sure this is you?

    Being known and being recognized turn out to be different things.

    I’ve lived here before. For years. Long enough to learn the wind, how it scrapes the face in winter, how it carries sound across distances that look empty but aren’t. Long enough to know how the town contracts when days shorten, how social life thins, how people retreat without saying so. Long enough to understand that winter’s hardest part isn’t the cold, but the slowing that never quite softens.

    I left.

    Not dramatically. Not with a declaration. Just the accumulation of knowing I’d reached the edge of what this place could offer me then. I left to get trained. To learn. To acquire language and tools and ways of being useful to people whose pain I could finally name.

    Elsewhere, the training mattered.

    Institutions adjusted. Conversations stretched. Experience accumulated forward. Sociologists describe this as circulation—knowledge moving through systems and changing them slightly each time it passes.

    When I came back, that movement stalled.

    Questions landed cautiously. Suggestions drifted without anchoring. Conversations circled familiar ground. Skill was reinterpreted as temperament. Experience earned elsewhere arrived already suspect. Credentialing didn’t elevate me here; it unsettled the hierarchy.

    Duration carried more weight than range. Familiarity outweighed competence. Staying—even unhappily—counted more than leaving to learn and returning changed.

    Nothing dramatic marked the shift. Invitations thinned. Silence grew denser.

    Paths were worn deeply enough that deviation showed immediately. Adjustment slowed things down. Care complicated the flow. Closed systems protect themselves by exhausting those who try to widen them.

    I walk with a dog who moves slowly. She lies down and waits. She does not bark. She does not approach anyone. She does not demand attention. Need becomes visible simply by her being there.

    That visibility changes how everything else is read.

    Independence is prized here. Self-containment. The ability to move through space without asking it to change. Anything that interrupts that story draws attention, not because it is loud, but because it refuses to disappear.

    I begin keeping a list.

    What moves easily:

    familiarity 

    endurance 

    uninterrupted presence 

    contained emotion 

    bodies that do not require pause 

    What does not:

    experience earned elsewhere 

    returning altered 

    care work 

    untranslated critique 

    visible limitation 

    Nothing about this sorting is announced. It happens politely. Procedurally. Through tone, repetition, and disbelief delivered calmly.

    The same logic repeats outside the store.

    Housing works this way. Availability is discussed as if it’s fluid, but rooms don’t move much. Leases circulate among the same hands. Exceptions appear briefly and then withdraw.

    Professional space follows suit. Offices change names but not rhythms. Programs rebrand. Language updates. The rooms stay calibrated to the same pace, the same assumptions about who needs what and how much time they’re allowed to take asking for it.

    Care is welcomed in theory. In practice it’s met with impatience. The work that moves fastest is the work that doesn’t linger. Anything slower begins to feel like obstruction.

    Training sharpens the contrast. The more language I carry, the clearer it becomes which rooms were never built to hold it. Which conversations stall the moment something unfamiliar enters.

    What looks like openness functions more like display. Yard signs. Mission statements. Posters about inclusion taped to walls that haven’t changed in decades.

    The welcome stops at the threshold.

    I stop trying to explain myself into these spaces.

    Explanation only widens the gap.

    The jokes about not moving here circulate easily. Protective humor. A way of guarding value where margins are thin. Things cost a lot. More than they should. The access people cite doesn’t justify it. Still, the insistence on specialness persists.

    For someone without inherited belonging, who learned early that place would have to carry more weight, there isn’t much here to hold on to.

    That doesn’t make the place bad.

    It makes it exact.

    I think again about the mushrooms left on the counter. The sealed ones, perfect and untouched. The irregular ones, alive and unfinished, set aside once the assessment was complete.

    Later I cook something simpler. Or I don’t cook at all. Hunger gives way to clarity.

    Understanding what a place cannot offer steadies something.

    The question changes.

    What kind of movement is allowed here?

    Once that becomes clear, leaving stops feeling like failure.

    It reads instead like fluency.

  • chlorine tongue

    Some essays, some days, end up a choppy mess. My writing is on training wheels as I pull up ChatGPT on my phone and feed it memory after memory noticing the air starting to smell of bleach when the tears come. I use my thumbs to slide type memory after memory trying to Frankenstein the memories to make a life I’m proud of. I tell myself I’m writing it all down before I’m forgotten. I’m already forgotten.

    There’s this thing called the hedonistic treadmill that we are all on. I have spent plenty of time on a treadmill used to punish and cope trying to burn fat and burn memories at the same time. I feel especially noble when I go longer than a hour because its all good mental training but I’ve got no race upcoming. Just the race to write it all down before my lung collapse, my heart bursts, my brains stop producing electricity.

    The treadmill means that despite the private chef and mountain dinner I saw you post on Facebook looking glamorous in nighttime chateaus—happiness is elusive for you, too. No matter what happens to you, or me, or anyone really, life will always crash. A fall on the treadmill. Embarrassing, shameful, but no one really cares because they weren’t watching you run on the treadmill in the first place.

    The hedonistic treadmill was never theory to me—it was the machine in the basement gym, the one that shook a little when I hit my stride. Thud thud thud. I’d throw a towel over the screen so the miles couldn’t taunt me, let the numbers sweat in the dark while I kept going. The belt always felt a hair too fast, like it knew something I didn’t. My lungs would start their small rebellion, my calves knotting themselves into warnings, but I’d stay on until the world blurred at the edges. There was a moment—always around minute forty—when the body stopped asking for mercy and just… obeyed. That strange, bleak surrender. That quiet lie that the next footfall might finally change something.

    And then there was always the slip. Not a dramatic one—just that half-second where your heel skims wrong and the belt keeps going without you. A reminder that the machine doesn’t care about your pace, your reasons, your history. It just moves. I’d steady myself, pretend it didn’t jolt me, pull the towel tighter like a blindfold. Thud thud thud. The room humming with fluorescent indifference. There was something almost honest in that moment, the way the body startles before the mind can invent a story. A brief flash of who you really are when the belt jerks and no one’s watching.

    Meanwhile, somewhere else, you were posting those mountain dinners—the candlelit plates, the chateau windows catching the dusk like they’d been engineered for it. A private chef pouring sauce in a perfect ribbon. I saw it between miles, the glow of your life cupped in my hand like something breakable. The belt kept dragging me forward while your night sat perfectly still, staged, unbothered. Thud thud thud. Sweat in my eyes. Your fork paused mid-air. Two versions of living scrolling past each other with all the intimacy of strangers on opposite treadmills—close enough to glimpse, never close enough to touch.

    What they don’t tell you about the hedonistic treadmill is how quickly the body normalizes even the beautiful things. Lottery winners go back to baseline in months; paraplegics, too—though slower, in a different key. Joy burns off like steam; pain settles in like weather. Adaptation is ruthless, almost loyal in its simplicity. I think about that when the belt finds its rhythm under me, when minute forty becomes minute forty-one and the suffering feels strangely familiar, like something the body has been rehearsing for years. The machine never gives you credit for endurance. It treats a triumph like a Tuesday. The same way your chateau dinners become ordinary to you, just another night, while I’m still caught on the treadmill’s half-life of hope—how it spikes, then dissolves, leaving only the thud thud thud of whatever comes next.

    The bleach smell comes when I’ve been crying long enough that my head feels dipped under—chlorine-thick, pool-slick, the kind of chemical sting that somehow steadies you instead of warning you away. I usually write in bed, early morning, the Laramie light still half-asleep, and the tears do what they do: burn at first, then go quiet, leaving that faint swimming-pool aura clinging to my skin. Not unpleasant. More like a reset button the body invented. I’ve bleach-stained half my wardrobe over the years trying to chase that same feeling—over-scrubbing, over-cleaning, as if the fabric might hold the clarity longer than I could. The page knows the smell by now. It rises around me the same way sweat does on the treadmill: not a sign of effort, but a sign I’ve stopped fighting it and slipped into whatever rhythm carries me forward.

    There’s always one memory that won’t bleach out, though it hasn’t even bothered to exist yet. Some future burn, some future clarity, circling like a storm that can’t make up its mind about landfall. I keep rinsing my life anyway—scrubbing the mornings in this Laramie bed, running the same miles on the same worn belt—hoping the meaning will appear in the residue. Maybe that’s the treadmill, too: not the pursuit of pleasure, but the chase for a moment that might finally explain all the others. The page smells like chlorine because I’m prepping for a memory that refuses to arrive, wiping down the present as if it might reveal the blueprint underneath. Thud thud thud in my head even when I’m not running. The sense that something is coming, or should be, or would be, if I could just keep myself clean enough to notice it.

    This house in Laramie feels like a holding tank, a place where the version of me I keep chasing might finally drift close enough to study. The walls don’t offer wisdom, but they do echo—just enough to remind me I’m not finished yet. Mornings here stretch out like runway lights, the kind meant for takeoff but repurposed for circling. I write in the bed that sags a little in the middle, listening to the wind scrape against the siding like it’s trying to sand me down to something essential. Maybe this place isn’t home so much as a pressure chamber, the altitude forcing whatever truth I’ve buried to rise, bubble by stubborn bubble. I keep waiting to hear the click—some internal latch unlocking—but mostly it’s just the low hum of a life that hasn’t decided what shape it wants to be. A holding tank. A waiting room. A treadmill with better scenery.

    But the bleach-scent mornings here in Laramie keep me honest. The tears hit, the air sharpens, and suddenly I’m awake in a way the treadmill never managed. There’s no performance in this room, no digital readout pacing my worth. Just my bed, the wind shouldering the siding, and me trying to wrench something true out of myself before the day crowds in. It feels almost surgical sometimes—this need to cut through the noise, rinse everything down to the part that still hurts, still matters. I don’t know if that’s meaning or just survival. But it’s the only place I’ve found where the burn doesn’t feel wasted.

    The chlorine smell lingers, but the room stays still, like it’s waiting for me to confess something I don’t have words for yet. My face feels raw. My shirt is ruined. The bed looks the same as it did yesterday and the day before that, but something in the air is off—tilted, chemical, bright around the edges. I stare at the ceiling until the shapes blur, the way they used to when I’d push too hard on the treadmill and the whole world would dissolve into a single, pulsing point.

    The truth is uglier than anything I’ve written:

    I’m not trying to clean a memory.

    I’m trying to create one strong enough to hold me.

    The bleach, the sweat, the thud of the belt—none of it lifts. It only digs channels through whatever I am, as if the body keeps making room for something that refuses to arrive. The writing scorches the edges, leaves a heat you can’t point to but still feel hours later.

    There’s no lesson here.

    No revelation.

    Just the quiet, chemical fact of it:

    I keep going because stopping feels like vanishing.